"What Wasteland 2 means to me?" McComb went on. "It means a re-examination of the foundation of the genre, a reminder that role-playing games are actually about making choices and seeing those choices culminate in a dramatically satisfying and logical ending. The original Wasteland was visionary; there's a good reason why people remember it so well so many years later. Seeing player choice honoured and validated, rewarding replay, and full character personalisation is a reminder of how exciting and immersive RPGs can be.
"Getting to work with the original creators and so many of my Interplay pals… I don't think I can do justice to my feelings without slipping into purely joyful profanity. What I will say is that after my call with Brian, I ran downstairs and jumped around in a circle with my kids. (I refrained from swearing there, too, I need to add)
"Now that I've got even more documentation and information to look through, I'm suddenly realising what I've signed up for. Man, this is going to be a hell of a challenge, and I mean that entirely in a good way. The best way, in fact."
Development on Wasteland 2 is moving rapidly, with multiple writers (including Chris Avellone, Michael Stackpole and Liz Danforth) creating scenarios. "The story now is 900 pages long," said Fargo. How does that compare to the original Wasteland? "It's much bigger," Fargo noted. "I'm doing one of the smaller maps, and I'm at 40 pages so far, and I'm not verbose. It's a lot of content. What if I rescue the kid? What if I don't rescue the kid? That's what everybody wants."
The project is large in scope, with many moving parts. Fargo is pleased with the team that's assembled, but is the schedule on track? "It's still too early to tell," Fargo admitted. "I'm very happy with the team; we have three or four ace programmers and the designers are having trouble keeping up with them. The design is the biggest short-term concern. We've just signed up three other writers."