It’s difficult nowadays for developers to stay faithful to their games and to their audiences. Like the Scarlet Pimpernel it seems they’re lured in by the first bit of frilly trim or flash of thigh they see. Except in the case of the gaming industry it’s usually a large production company offering lots of cash and game-breaking deadlines, rather than a beautiful woman sporting polkadots. That’s why Kickstarter is so bloody great – it cuts out the middle-monster (that’s you EA) and brings games back to the people. You fund what you like. If enough people fund it, it gets made and the developers are responsible to you, not a corporate entity that thinks quicktime events are an engaging gameplay mechanic
Why are we returning to games of the past? One indie dev recently suggested that it’s because the developers of today were the children of yesterday. They grew up with these games and now, given the opportunity through projects such as Kickstarter and Steam’s Greenlight, they’re able to recreate them for the next generation of gamers. It could also be that, compared to the likes of Grand Theft Auto and Call of Duty, these games have small budgets, and with small budgets there often simply isn’t the option for advanced graphics. Some other part of the game has to shine brighter than a spit-shined star, and lucky for us it seems to be the gameplay. And where better to look for tips on creating great gameplay and stories than the 90s: the home of pages of unspoken dialogue, bloodthirsty forest nymphs and, well, Peter Andre’s short lived singing career. But we’ll forget about that.