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Betrayal at Krondor - All News

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Wednesday - August 17, 2016
Saturday - June 04, 2016
Friday - April 29, 2016
Monday - April 11, 2016
Friday - March 18, 2016
Saturday - February 20, 2016
Sunday - May 31, 2015
Tuesday - March 30, 2010
Tuesday - August 12, 2008
Box Art

Wednesday - August 17, 2016

BaK - Krondor Confidential - Part VIII

by Silver, 13:35

Neal Hallford has the newest installment of Krondor Confidential up on his blog.

Almost from the day I signed up with Dynamix and learned that Sierra Online was our "parent company" (thus by extension making me a Sierra Online employee,) I'd wanted to make a pilgrimage south to their picturesque headquarters in Oakhurst, California. Founders Ken and Roberta Williams were already legends to me, and I'd remembered as a kid ooh-ing and ahh-ing over a display of their adventure titles in an electronics store window. But Sierra Online employee or not, during the early phase of Betrayal at Krondor's production, I figured I was too small a fish in the pond to ever warrant an invitation to the home office. It certainly didn't occur to me that they'd not only invite me down for a tour of the HQ, but they'd put John Cutter and I up at a ritzy resort on Bass Lake while we attended an all-expenses-paid, three-day writing seminar with a big-shot Hollywood story consultant.

Needless to say, I didn't refuse the invitation.

Saturday - June 04, 2016

BaK - Krondor Confidential - Part VII

by Silver, 14:04

Neal Hallford shares some more juicy details of his experience helping to develop Betrayal at Krondor.

Krondor Confidential - Part VII

For the first several months of development, John Cutter and I had metaphorically lived on a small island, isolated in the heart of Dynamix away from the rest of our team. In many ways it was a boon because I had a great deal of "think" time to work on the project, unmolested by what would become the daily demands of a leadership role. It was also a time when I remember a fairly steady stream of visitors coming to John's door, superstars of the gaming industry who'd previously only been names in the credits of much-loved games. I was lucky enough to get a ringside seat as they drifted in and out of his office.

As pleasant these initial months were, however, it became clear by the early part of 1992 that we couldn't work effectively as a team with everyone spread across the second floor of the Atrium building. Our programmers were mixed in with the developers for the Aces Over the Pacific , and our artists were similarly scattered between different teams. Meetings involved a lot of walking back and forth between suites to quite literally run down a problem. It was time to come together and get a place of our own.

[...]

As much as I loved most of my team mates, I needed the time during lunch alone so that I could recharge my batteries before the afternoon grind. By our fifth month of production, John and I's design duties were beginning to become more than we could stay ahead of. Fortunately for us, there was someone at Dynamix who was itching to climb out of the testing pool, and was willing to do whatever designer grunt work we handed him.

Whenever I think of Tim McClure, I always picture him in the same moment. He's young and frightfully thin, scarcely more than a skeleton. Long, straight brunette hair frames his pale boyish face that's sprinkled with almost imperceptible freckles. There's an impishness in his eyes that gleam behind a pair of round Harry Potter-style spectacles. Perched on the top of a desk like a crow, he thoughtfully stares out of our office windows streaming with water. "I f@#%g hate rain," he says to me. He gives me a look like there's something I can actually do about it. "It's AWFUL." I helpfully point out to him that rain is kind of Oregon's schtick. "You really shouldn't hold your feelings in all the time," I tell him. "Honestly, how do you REALLY feel?"

Tim was not a man that was shy about expressing his opinions. He had many. After weekends he'd come in to talk about a movie or a TV show or a game he'd played, and we'd all get a critique about everything that was wrong with it. He loved Fist of the North Star and hated J.R.R. Tolkien. He seemed to be passionate about everything he came into contact with, and he was either your mortal enemy or your fiercest friend. Thankfully for me, I fell into the latter category. I always saw him as a little kid who simply hadn't learned how to lie like an adult. If I needed an honest opinion about something I was doing, I could always rely on Tim for his unvarnished answer.

Friday - April 29, 2016

BaK Remastered - Puzzle Chest Demo

by Silver, 12:53

Neal Hallford shows us his progress on a reworked puzzle chest for Betrayal at Krondor Remastered (tech demo).

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In our second Betrayal at Krondor: Remastered demonstration video, designer Neal Hallford walks us through his updated version of one of the most beloved systems from the original Betrayal at Krondor, the puzzle chests.

Monday - April 11, 2016

Betrayal at Krondor - Remastered Interview @ShanePlays

by Silver, 07:42

ShanePlays interviews Neal Hallford on his proof of concept Betrayal at Krondor remaster. Sadly he's not remaking it fully just testing the engine.

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Highlights: Geek news; Neal Hallford talks Betrayal at Krondor remastered and Amazon's Lumberyard game engine.

Friday - March 18, 2016

Betrayal at Krondor - Remastered Demo

by Hiddenx, 21:12

Neal Hallford wants to learn Amazon's new game engine. He re-created a part of Betrayal at Krondor:

Betrayal at Krondor: Remastered_Dialogue and Keywords

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In the first Betrayal at Krondor: Remastered demonstration video, designer Neal Hallford walks through the dialogue and keyword systems, the first to be implemented for the recreation of this classic RPG.

 

Saturday - February 20, 2016

Betrayal at Krondor - Krondor Confidential - Part I

by Hiddenx, 10:36

Learn more about the development of Betrayal at Krondor at Neal Hallfords blog:

“Are you into dogs?”

My boss, John Cutter, had asked the question in total innocence, looking as he always did, a young father with with twinkling eyes and a winning smile. He always had this wholesome vibe, like at any minute he’d jump up to run out into the parking lot to throw around a baseball with a kid…didn’t matter whose. Any kid. It just seemed like that’s who he was born to be, some fellow who would never, never grow up. Peter Pan come to life. Like me, he was a sentimental soul, with a love of Ray Bradbury and an idealized vision of the past. He liked to tinker, and even had a robot in his office. Seated across from him, I sniggered at his question because my brain almost always wanders to the dirtiest possible interpretation to anything anyone says, and this was no exception. In comparison, John always seemed like Ward Cleaver to my Zaphod Beeblebrox.

The question he’d asked had been sparked because we’d discovered that we were both fans of the novels of Dean Koontz, and we talking about how there was almost always a dog in his fiction because he was a dog-lover himself. As am I. I don’t know how John feels about it, but I’ve always thought that people who have and love their dogs are by far much more trustworthy than others. It can be an excellent barometer about character, and it told me a lot about John.

At the time, both John and I were employees at New World Computing in Woodland Hills, California, a far cry from the tiny mountain town of Eugene, Oregon where we’d begin production on Betrayal at Krondor six months later. Neither of us had a relocation on our radars (or at least I didn’t), and the contract with Raymond E. Feist was a long way away, but for me I’ve always regarded that conversation in John’s office that day as the point at which development on Betrayal at Krondor actually began. While the story and game rules would play a critical role in it’s popularity, the real secret of the success of that project lay in John and I’s absolute trust in each other’s judgements and skills. [...]

 

Sunday - May 31, 2015

Betrayal at Krondor - Matt Chat 293: John Cutter

by Hexprone, 10:08

Anyone old-school enough for Betrayal at Krondor? Matt Barton has posted the third part of a long interview with John Cutter, the creator of the game. Part One and Part Two were posted earlier this month.

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A snippet I transcribed:

I had originally wanted to do more of a 2D game, but everybody thought we should use the flight-sim engine and do something in 3D, and Ultima Underworld came out during the development of our game, which helped support the idea that, yeah, 3D was the right choice.

But we digitized a lot of the actors, and we assumed when we were taking the pictures and digitizing them that they were going to be so pixelated that the makeup and the costumes didn’t really have to look that great—they just kinda had to be close. But I think before we launched the game technology improved, and you could see the elastic bands on the fake beards. It was pretty bad.

Source: Matt Chat

Tuesday - March 30, 2010

Betrayal at Krondor - Released on GOG

by Dhruin, 22:27

Surely one of the all time classics, GOG has released Betrayal at Krondor for $5.99.

Tuesday - August 12, 2008

Betrayal at Krondor - Review at RPG Codex

by Gorath, 22:58

Vintage RPG time at the Codex. Our old friends reviewed one of the best RPGs ever, Betrayal at Krondor.

Betrayal at Krondor is a vintage RPG developed by Dynamix, and published by Sierra Entertainment in 1993. Taking aside its rather old age and horribly outdated graphics it's still regarded as one of the best the genre has to offer by those who played it. The game is mostly centered around exploration, combat, the plot, and the absolutely fantastic writing, at which many nowadays RPG developers should look, and at least try to implement something similarly great into their games.

Information about

Betrayal at Krondor

Developer: Dynamix

SP/MP: Single-player
Setting: Fantasy
Genre: RPG
Combat: Turn-based
Play-time: Unknown
Voice-acting: Unknown

Regions & platforms
Unknown
· Platform: PC
· Released at 1993-06-22
· Publisher: Sierra Entertainment